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Mar 7, 2022Liked by Mark Finn

Interesting how you hedged and didn't choose a film Welles directed. (You can definitely see his influence in The Third Man, but it's Reed's movie. Plus, any excuse to share The Third Man is a good one.)

If I were to pick a Welles film to share, I'd probably pick "F for Fake", one of his last projects, in which he is all too self-aware of what he has become. It contains his famous line, "That's how I started: began at the top and I've been working my way down ever since."

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I wanted to get “Cool” Orson on the table. Jes is down to watch more Welles. I think we will get to F is for Fake after The Stranger and Lady from Shanghai.

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Mar 7, 2022Liked by Mark Finn

Interesting thing about the music in Touch Of Evil is that it is all sourced from within the film - radios, nightclubs, jukeboxes, etc.

All scored by Henry Mancini.

https://www.wellesnet.com/composer-henry-mancini-on-scoring-orson-welless-touch-of-evil/

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A very cool observation! That is the movie that keeps on giving…

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Mar 8, 2022Liked by Mark Finn

If there was an Oscar for Best Use of Bouzouki in a Soundtrack, the award would go to "The Third Man."

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Mar 8, 2022Liked by Mark Finn

Maybe next time you get around to Welles give The Stranger a watch. And also give a listen to Obediently Yours by the rapper Logic which is an extensive sample of a Welles radio commentary.

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Mar 8, 2022·edited Mar 8, 2022Liked by Mark Finn

I’ll second the recommendation of F For Fake, a wonderful takedown of the art world. Welles presents himself as an expert on cons and trickery, proudly referencing his War of the Worlds deception as his credentials.

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I love F is for Fake. Welles’ interest in magic is one of my favorite things about him.

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