Mark, if anyone has ever said you were an astute commentator on life, they only told half the truth. You, my friend, pack a punch in your observations. Wishing you and Janice speedy recovery and reunification.
I must say, it's extremely gratifying to see everyone chiming in with their own facts and trivia about the production of The Three/Four Musketeers. We're quite the erudite bunch, cinematically speaking!
THE definitive Musketeer movie. I don't know about the women's costumes, but the musketeer costumes were spot on accurate. Yvonne Blake (later to do Superman) was a superb costumer. It kept so much of the novel in that most versions cut.
The fight choreography was some of the best in movie history. William Hobbs was known for doing accurate swordfights (besides 3M and 4M he also did Robin & Marian and The Duelists). Hobbs even has a cameo as the "drunken" man in the tavern courtyard that takes out Porthos. Reed was a madman in fights. He'd generally ignore the choreography and just charge at the stuntmen. That is, until he had a fight with Christopher Lee. Lee stopped the fight and said "Who taught you to swordfight?" Reed hesitated and said "you did." Lee and he had done a pirate film years earlier. So Lee made him calm down and go over the choreography again and do it right. One did not mess with Christopher Lee.
Heston researched Richelieu and included real quotes from him in the dialogue (I have no enemies, only those of France).
As far as I remember, the firearms were accurate for the period. They were using matchlock muskets as musketeers, and in 4M you see Athos wind the spanner on a wheellock as he confronts Milady. I don't recall any flintlocks, but they existed in various forms as early as Tudor times. The swords are wonderful clam shell rapiers. D'Artagnon's father's sword is a much older design, appropriate for one having been borne during the time of Henry IV.
Sadly, years later, a sequel was made, based on Dumas' "Twenty Years After" called "The Return of the Musketeers." The entire cast was back, including Lee. Richard Lester directed again. It has serious problems, with Kim Cattral miscast as Milady's daughter (it was a son in the books), and C. Thomas Howell miscast as Athos' son. The great tragedy is that Roy Kinnear, back as Planchet, was killed during the production. As the result of subsequent legal actions, the film was never released theatrically in the US until it was finally shown on television.
As Highlander said, there can be only one (or two, if you break something into two). The main reason I see this at times is it's nice to see old friends again.
I love The Duelists! And if you know this much about the production, you will greatly enjoy the new Criterion release.
The whole D'Artagnon Cycle is such a sprawling affair, it'd be almost impossible to film it all without serious concessions. The misfire of a sequel notwithstanding, I wonder if we'll ever get a definitive Man in the Iron Mask.
And just as a heads-up, you should be getting the new Mandatory Parker album poster any day now, along with a lot of other detritus. It’s all part of the service.
Mark, if anyone has ever said you were an astute commentator on life, they only told half the truth. You, my friend, pack a punch in your observations. Wishing you and Janice speedy recovery and reunification.
Thank you, Jason, very much! I really appreciate that!
I must say, it's extremely gratifying to see everyone chiming in with their own facts and trivia about the production of The Three/Four Musketeers. We're quite the erudite bunch, cinematically speaking!
THE definitive Musketeer movie. I don't know about the women's costumes, but the musketeer costumes were spot on accurate. Yvonne Blake (later to do Superman) was a superb costumer. It kept so much of the novel in that most versions cut.
The fight choreography was some of the best in movie history. William Hobbs was known for doing accurate swordfights (besides 3M and 4M he also did Robin & Marian and The Duelists). Hobbs even has a cameo as the "drunken" man in the tavern courtyard that takes out Porthos. Reed was a madman in fights. He'd generally ignore the choreography and just charge at the stuntmen. That is, until he had a fight with Christopher Lee. Lee stopped the fight and said "Who taught you to swordfight?" Reed hesitated and said "you did." Lee and he had done a pirate film years earlier. So Lee made him calm down and go over the choreography again and do it right. One did not mess with Christopher Lee.
Heston researched Richelieu and included real quotes from him in the dialogue (I have no enemies, only those of France).
As far as I remember, the firearms were accurate for the period. They were using matchlock muskets as musketeers, and in 4M you see Athos wind the spanner on a wheellock as he confronts Milady. I don't recall any flintlocks, but they existed in various forms as early as Tudor times. The swords are wonderful clam shell rapiers. D'Artagnon's father's sword is a much older design, appropriate for one having been borne during the time of Henry IV.
Sadly, years later, a sequel was made, based on Dumas' "Twenty Years After" called "The Return of the Musketeers." The entire cast was back, including Lee. Richard Lester directed again. It has serious problems, with Kim Cattral miscast as Milady's daughter (it was a son in the books), and C. Thomas Howell miscast as Athos' son. The great tragedy is that Roy Kinnear, back as Planchet, was killed during the production. As the result of subsequent legal actions, the film was never released theatrically in the US until it was finally shown on television.
As Highlander said, there can be only one (or two, if you break something into two). The main reason I see this at times is it's nice to see old friends again.
I love The Duelists! And if you know this much about the production, you will greatly enjoy the new Criterion release.
The whole D'Artagnon Cycle is such a sprawling affair, it'd be almost impossible to film it all without serious concessions. The misfire of a sequel notwithstanding, I wonder if we'll ever get a definitive Man in the Iron Mask.
Oh that’s lovely!
Excellent review of the indispensable Three & Four Musketeers. Keep an eye out for the Barnes & Noble 50% Criterion sale, fellow Bunker Boosters!
That’s good financial sense, right there!
And just as a heads-up, you should be getting the new Mandatory Parker album poster any day now, along with a lot of other detritus. It’s all part of the service.